Top-100 artists:
We use our proprietary AI - LiveArt Estimate™ to calculate current market value for each artwork. Based on this data LiveArt is able to provide numerous insights into artist and artwork financial performance, including:
See the measure of artist investment performance relative to risk. A higher ratio suggests better risk-adjusted returns, indicating more consistent performance with less risk.
Explore the most prolific periods in an artist's career based on artwork production volume and current market value. It also segments these periods by category, offering insights into when the most valuable pieces were created in each category.
Free to sign up. No credit card required.
| Image | Last Sale Date | Title | Edition No. | Last Sale | Last Sale Auction House | Last Sale Location | |
|---|---|---|---|---|---|---|---|
| Nov 15, 2012 | Untitled (#98) | 9 | Christie's | New York | |||
| May 12, 2011 | Untitled (#98) | 4 | Christie's | New York | |||
| May 17, 2000 | Untitled no.98 | 8 | Christie's | New York | |||
| Nov 16, 1995 | Untitled no.98 | Sotheby's | New York | ||||
photographs
118.1 x 76.2 cm (46.5 x 30 in)
color coupler print
signed and numbered 'Cindy Sherman 9/10' (on the reverse)
Metro Pictures, New York. Skarstedt Fine Art, New York.
Amsterdam, Stedelijk Museum; Bristol, Watershed Gallery; Southampton, Jack Hansard Gallery, University of Southampton; Erlangen, Palais Stutterheim; Berlin, Haus am Waldsee; Geneva, Centre d'Art Contemporain; Copenhagen, Sonja Henie and Niels Onstadt Foundation and Humlebaek, Louisiana Museum, Cindy Sherman, 1982-1984, no. 62 (another example exhibited). Stony Brook, Art Gallery, Fine Arts Center, State University of New York, Cindy Sherman, October-November 1983 (illustrated, another example exhibited). Washington, D. C., Hirshhorn Museum and Sculpture Garden, Directions: Cindy Sherman, 1983, no. 26 (another example exhibited). Kassel, Documenta 7, 1982 (another example exhibited). New York, Whitney Museum of American Art, Cindy Sherman, July-October 1987, pl. 63 (illustrated; another example exhibited). Museo de Monterrey, Becher, Mapplethorpe, Sherman, April-June 1992, pp. 186-187 and 244 (illustrated, another example exhibited). Oslo, Kunstnernes Hus and Helsinki, Museum of Contemporary Art, Louise Lawler, Cindy Sherman, Laurie Simmons, January-May 1993, p. 10 (illustrated; another example exhibited). Los Angeles, Museum of Contemporary Art; Chicago, Museum of Contemporary Art; Prague, Galerie Rudolfinum; London, Barbican Art Gallery; Bordeaux, Musée d'Art Contemporain de Bordeaux; Sydney, Museum of Contemporary Art and Toronto, Art Gallery of Ontario, Cindy Sherman Retrospective, November 1997-January 2000, p. 109, pl. 80 (illustrated; another example exhibited). Los Angeles County Museum of Art; Washington, D.C., Corcoran Gallery of Art and Boston, Museum of Fine Arts, Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections, October 2001-October 2002, p. 194 (another example exhibited). London, Serpentine Gallery and Edinburgh, Scottish National Gallery of Modern Art, Cindy Sherman, June 2003-March 2004, pp. 71 and 95 (illustrated, another example exhibited). Minneapolis, Walker Art Center and Los Angeles, UCLA Hammer Museum, The Last Picture Show: Artists Using Photography, 1960-1982, October 2003-May 2004, p. 289, no. 160 (illustrated). Paris, Jeu de Paume; Kunsthaus Bregenz; Humlebaek, Louisiana Museum of Modern Art and Berlin, Martin-Gropius-Bau, Cindy Sherman, May 2006-September 2007, pp. 251 (illustrated, another example exhibited).
P. Schjeldahl and M. Danoff, Cindy Sherman, New York, 1984, pl. 63 (illustrated). M. Rosenthal, Art of Our Time: The Saatchi Collection, Vol.4, London, 1984, no.8 (illustrated). I. Takano and L. Simmons, Cindy Sherman, Tokyo, 1987, p. 44 (illustrated). R. Krauss, Cindy Sherman 1975-1993, New York, 1993, p. 101 (illustrated). C. Morris, The Essential Cindy Sherman, New York, 1999, p. 64 (illustrated). J. Burton, Cindy Sherman, Cambridge, Mass., 2006, pp. 36 and 211, no. 54 (illustrated). F. Bonami, ed., Cindy Sherman, Verona, 2007, pp. 42-43 and 107 (illustrated).
